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Foot notes

[1]Le Mussee de la Monnaie, Paris, Brochure.
[2]Taylor, Mark. Manuscript of Chapter 5, "Currency"(1992): 256.
[3]Lbid, 256-257.
[4]

Shubik, Martin. Manuscript(New Haven: 1992): Chapter 7, page32.
[5]Shubit, Chapter 7, page 15.
[6]

Breiers, Audrey. True Storeies about Money (Oxford: AshmoleanMuseum, 1987): 9.
[7]Taylor, 254-258.
[8]

Janson, H.W. History of Art, Second Edition. (New York: HarryN. Abrams, 1979).
[9]Taylor, 254.
[10]

Ibid, 263-265. Taylor quotes Simmel directly about paper currencyas an ideal form.
[11]Shubik, Chapter 7, page 36.
[12]

Platt, Frederick. America's Gilded Age (New York: A.S. Barnes& Co., 1976): 187.
[13]Lbid, 187.
[14]

Weingarden, Lauren S. Louis sullivan: The Banks: 1906 - 1920 (CambridgeMA: The MIT Press, 1987): vii-ix.
[15]Platt, 189.
[16]Taylor 255.
[17]Weingarden, Vii-ix.
[18]Platt, 110.
[19]


Bolgerer, Doreen, Marc Simpson, John Wilmerding, editors. WilliamM. Harnett (New York: Harry N. Abrams, Inc. Amon Carter Museum and theMetropolitan Museum of Art, 1992): 25.
[20]Lbid, 25.
[21]Lbid, 35, 43.
[22]

deDuve, Thierry, editor. The Definitely Unfinished Marcel Duchamp(Cambridge MA: MIT press, 1991): 145.
[23]Taylor, 282-288.
[24]Ibid 284.
[25]

Elderfield, John, Kurt Schwitters (London: Thames & Hudson,1985): 31.
[26]Taylor, Chapter 5, footnote 29.
[27]Lbit, 309.
[28]

McShine, Kynaston, editor. Warhol: A Retrospective (New York:MoMa, 1989): 16.
[29]Taylor, 291
[30]

Bourdon, David. Warhol(New York: Harry N. Abrams, Inc. 1989):103.
[31]Taylor, 254.
[32]Ibid, 269.
[33]

Holzer, Jenny. The Venice Installation (Buffalo: The Buffalo FineArts Academy, 1991): 18.
[34]Taylor, 274.
[35]Bourdon, 106.
[36]

Olson, Ann S. JSG Boggs: Smart Money (Hard Currency)(Tampa: TampaMuseum of Art, 1990).



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